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Welcome

 With WarpCam® we strive to increase the overall productivity of action shots. 

Working to extend the limits of camera sequences: by providing fluid movement throughout challenging and dangerous scenarios or environments.

About Us

    Directory

    More info about the team behind WarpCam® action camera


    About WarpCam®

    Watch our  WarpCam® showreel 


    showreel

     WarpCam® provides differing levels of service

    depending on the productions needs.

    Service Packages

    Watch the  WarpCam®  show-reel


    Videos

    What projects has  WarpCam®  been involved with before? 

    Credits

    Find all necessary  WarpCam®  specifications below.

    Camera Specs

    ABOUT WarpCam®

    WarpCam® Team

    At  WarpCam®  our team consists of Action specialists highly trained in operation of the  WarpCam®  System.

     This combination allows the WarpCam® Team to achieve unique and creative shots, and to put camera in places where it traditionally can not go.  



    WarpCam® System

    A revolutionary new 6k Raw two operator camera system.


    The next step in camera evolution with a  stabilized sensor and lens separated from the camera body. Operated and adjusted remotely with no hardware buttons on the camera itself.

    Design

    With  WarpCam® , it was a priority for us to have a light weight and mobile package.

     

    The system needed to be able to be operated with one hand, and to be modular with multiple different hard and handheld mounts.

    It had to be small so it could fit through tight spaces.


    We designed the  WarpCam®  system with all of these things in mind.

    As a result WarpCam® can go lower, can go higher, can fit through tighter spaces, can be ran with at full sprint,  operated out of a helicopter,  a car, a motorcycle, and much more.

    SHOWREEL

    The get warpy menu

    WarpCam® Action Unit

    Providing complete action sequences from concept, to finished edit. 


    We tailor to needs of the production, director, and director of photography to integrate into the Final Product and match our action sequences to the style and tone of the Film.


    This Package Includes

    -2nd Unit Action Director

    -Action Design

    - WarpCam® Action Team

    - WarpCam® System

    -Stunt Coordination

    -Choreography (Fight or Otherwise)

    -Full Stunt Department

    WarpCam® Action Team

    Integrate the  WarpCam® Team into a production.


    With this package the  WarpCam® performs as an additional camera, with its own action camera team to achieve specialty shots.




    This Package Includes

    - WarpCam® System

    - WarpCam® Action Team (2-3 Persons)




    Credits

    The Gray Man

    Action Sequences 1st & 2nd Unit

    Prague

    Event Details

    The Gray Man

    Action Sequences 1st & 2nd Unit

     2nd Unit Director: Spiro Razatos

     Directors: The Russo Brothers 

    Prague

    OTTO - Aufbruch

    WarpCam® Commercial Sequence: Butterfly Cam

    Hamburg

    Event Details

    OTTO - Aufbruch

    WarpCam® Commercial Sequence: Butterfly Cam

    Director: Bram van Alphen 

    DP: Christian Hook 

    Production Company: Bubbles Film GmbH

    Hamburg

    Die Hexen prinzessin

    Action Sequences 1st & 2nd Unit

    Prague

    Event Details

    Die Hexen prinzessin

    Action Sequences 1st & 2nd Unit

    Director: Ngo the Chau

    2nd Unit Director: Ferdi Fischer

    Prague

    Bad Boys for Life

    Action Sequence 2nd Unit

    Atlanta

    Event Details

    Bad Boys for Life

    Action Sequence 2nd Unit

    2nd Unit Director: Spiro Razatos

    Production Company: Columbia Pictures

    Atlanta

    21 Bridges

    Action sequences with Main Actors, 1st & 2nd Unit

    Philadelphia

    Event Details

    21 Bridges

    Action sequences with Main Actors, 1st & 2nd Unit

    Director: Brian Kirk 

    2nd Unit Director: Spiro Razatos

    Production Company:  AGBO

    Huayi Brothers Media

    MWM Studios

    Philadelphia

    More Events

    Instagram

    Gallery

    WarpCam® in shot held by stunt performer
    Getting the WarpCam® shot of Chadwick Boseman jumping over the handrail
    inbetween takes
    The 2nd unit of Bad Boys 3

    CONTACT US

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    FILMING WITH WarpCam® AVAILABLE WORLDWIDE

    BASED IN

    | LOS ANGELES | BERLIN | PALMA |

    WarpCam® tech sheet

    WARPCAM PACKAGE INCLUDES

    • Warpcam Body
    • Sensor
    • Lens Kit
    • Lens Filter Kit
    • Monitors
    • Controllers
    • Multiple Mounting Options
    • Wireless Follow Focus


    Sensor

    Sensor Size (Still): 23.5×15.7 mm 

    Sensor Size (Max video recording area): 23.5×12.5 mm Effective Pixels: 24 MP


    Storage

    512 GB SSD


    Operation Modes 

    Capture, Record, Playback


    Shutter Speed

    Electronic Shutter Speed: 1/8000 – 8s

    Mechanical Shutter Speed: 1/1000 – 8s (DL-S 16mm F2.8 ND ASPH not supported)


    ISO Range 

    Video: 100 – 1600 (EI mode on); 100 – 6400 (EI mode off)


    Lenses

    DL Zero-D 9mm f2.8

    DL-S 16mm f2.8 ND

    DL 24mm F2.8 LS

    DL 35mm F2.8 LS

    DL 50mm F2.8 LS


    VIDEO OUTPUT

    HD Video Down-link 1080p

    SDI output from Remotes (Wireless Video Compatible, for connection with production monitors or wireless down-links)


    VIDEO FORMATS

    SSD: CinemaDNG, ProRes, ProRes RAW, MOV, MP4


    Aspect Ratio 17:9

    CinemaDNG: 4.5 Gbit/s RAW

    6K: 6016×3200, 23.976/24/25/29.97/30p, 14-bit, full FOV  4.5Gbps

    5K: 5120 x 2160, 23.976/24/25/29.97/30/48p, 14-bit, full FOV  

    4K DCI: 4096×2160, 23.976/24/25/29.97/30p, 14-bit, full FOV

    3.9K: 3944×2088, 47.95/50/59.94, 12-bit, narrow FOV  3.9Gbps
    ProRes and ProRes RAW

    4K DCI: 4096×2160, 23.976/24/25/29.97/30p, 12-bit, HQ, full FOV  1.27Gbps

    2K: 2048×1080, 47.95/50/59.94p, 12-bit, HQ/XQ, narrow FOV  1.2Gbps
    H.264

    4K DCI: 4096×2160, 24/25/30/48/50/59.94p 100Mbps
    H.265

    4K DCI: 4096×2160, 24/25/30p  100Mbps

     
    Aspect Ratio 16:9

    CinemaDNG: 4.5 Gbit/s RAW

    6K: 5760×3240, 23.976/24/25/29.97/30p, 14-bit, full FOV  4.3Gbps

    4K Ultra HD: 3840×2160, 23.976/24/25/29.97/30p, 14-bit, full FOV 

    3.7K: 3712×2088, 47.95/50/59.94, 14-bit, narrow FOV  3.7Gbps
    ProRes

    4K Ultra HD: 3840×2160, 23.976/24/25/29.97p, 12-bit, HQ/XQ, full FOV  2Gbps

    2.7K: 2704×1520, 47.95/50/59.94p, 12-bit, HQ, narrow FOV  800Mbps

    FHD: 1920×1080, 47.95/50/59.94p, 12-bit, HQ/XQ, narrow FOV  1Gbps
    H.264

    4K Ultra HD: 3840×2160, 24/25/30/48/50/59.94p  100Mbps

    2.7K: 2720×1530, 24/25/30/48/50/59.94p  100Mbps

    FHD: 1920×1080, 24/25/30/48/50/59.94p  100Mbps

    HD: 1280×720, 24/25/30/48/50/59.94p  100Mbps
    H.265

    4K Ultra HD: 3840×2160, 24/25/30p  100Mbps

    2.7K: 2720×1530, 24/25/30/48/50/59.94p  100Mbps

    FHD: 1920×1080, 24/25/30/48/50/59.94p  100Mbps

    HD: 1280×720, 24/25/30/48/50/59.94p 100Mbps

    Aspect Ratio 2.44:1


    ProRes

    5.2K: 5280×2160, 23.976/24/25/29.97/30/50p, 12-bit, HQ, full FOV  1.3Gbps

    H.264/H.265

    4K Ultra HD: 3840×1572, 30p, full FOV  100Mbps

    TEMPERATURE

    Operating Temperature Range-4 to 100° F (-20 to 40° C)Storage Temperature Range-4 to 140° F (-20 to 60° C)


    Separated Sensor and Lens Stabilizer

    Angular Vibration Range±0.005°

    Mount Detachable


    Controllable Range

    Tilt: +40° to -125°; Pan: ±300°; Roll: ±20°


    Mechanical Range

    Tilt: +50° to -130°; Pan: ±330°; Roll: +90° to -50°


    Max Controllable Speed

    Tilt: 180°/s; Roll: 180°/s; Pan: 360°/s


    CAMERA FEATURES

    Exposure Mode

    Auto, Manual, Shutter Priority, Aperture Priority


    Exposure Compensation

    ±3.0 (3 stops of light)


    Metering Center

    Weighted Metering, Spot Metering (12 × 8 area selection)


    AE Lock Supported

    Custom (2000 K – 10000 K)


    Video Caption Supported

    (AVC/HEVC)PAL/NTSC


    Ultrasonic Dust Removal


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