With WarpCam® we strive to increase the overall productivity of action shots.
Working to extend the limits of camera sequences: by providing fluid movement throughout challenging and dangerous scenarios or environments.
More info about the team behind WarpCam® action camera
WarpCam® provides differing levels of service
depending on the productions needs.
What projects has WarpCam® been involved with before?
Find all necessary WarpCam® specifications below.
At WarpCam® our team consists of Action specialists highly trained in operation of the WarpCam® System.
This combination allows the WarpCam® Team to achieve unique and creative shots, and to put camera in places where it traditionally can not go.
A revolutionary new 6k Raw two operator camera system.
The next step in camera evolution with a stabilized sensor and lens separated from the camera body. Operated and adjusted remotely with no hardware buttons on the camera itself.
With WarpCam® , it was a priority for us to have a light weight and mobile package.
The system needed to be able to be operated with one hand, and to be modular with multiple different hard and handheld mounts.
It had to be small so it could fit through tight spaces.
We designed the WarpCam® system with all of these things in mind.
As a result WarpCam® can go lower, can go higher, can fit through tighter spaces, can be ran with at full sprint, operated out of a helicopter, a car, a motorcycle, and much more.
Providing complete action sequences from concept, to finished edit.
We tailor to needs of the production, director, and director of photography to integrate into the Final Product and match our action sequences to the style and tone of the Film.
This Package Includes
-2nd Unit Action Director
-Action Design
- WarpCam® Action Team
- WarpCam® System
-Stunt Coordination
-Choreography (Fight or Otherwise)
-Full Stunt Department
Integrate the WarpCam® Team into a production.
With this package the WarpCam® performs as an additional camera, with its own action camera team to achieve specialty shots.
This Package Includes
- WarpCam® System
- WarpCam® Action Team (2-3 Persons)
Prague
2nd Unit Director: Spiro Razatos
Directors: The Russo Brothers
Prague
Hamburg
Director: Bram van Alphen
DP: Christian Hook
Production Company: Bubbles Film GmbH
Hamburg
Prague
Director: Ngo the Chau
2nd Unit Director: Ferdi Fischer
Prague
Atlanta
2nd Unit Director: Spiro Razatos
Production Company: Columbia Pictures
Atlanta
Philadelphia
Director: Brian Kirk
2nd Unit Director: Spiro Razatos
Production Company: AGBO
Huayi Brothers Media
MWM Studios
Philadelphia
FILMING WITH WarpCam® AVAILABLE WORLDWIDE
| LOS ANGELES | BERLIN | PALMA |
WARPCAM PACKAGE INCLUDES
Sensor
Sensor Size (Still): 23.5×15.7 mm
Sensor Size (Max video recording area): 23.5×12.5 mm Effective Pixels: 24 MP
Storage
512 GB SSD
Operation Modes
Capture, Record, Playback
Shutter Speed
Electronic Shutter Speed: 1/8000 – 8s
Mechanical Shutter Speed: 1/1000 – 8s (DL-S 16mm F2.8 ND ASPH not supported)
ISO Range
Video: 100 – 1600 (EI mode on); 100 – 6400 (EI mode off)
Lenses
DL Zero-D 9mm f2.8
DL-S 16mm f2.8 ND
DL 24mm F2.8 LS
DL 35mm F2.8 LS
DL 50mm F2.8 LS
VIDEO OUTPUT
HD Video Down-link 1080p
SDI output from Remotes (Wireless Video Compatible, for connection with production monitors or wireless down-links)
VIDEO FORMATS
SSD: CinemaDNG, ProRes, ProRes RAW, MOV, MP4
Aspect Ratio 17:9
CinemaDNG: 4.5 Gbit/s RAW
6K: 6016×3200, 23.976/24/25/29.97/30p, 14-bit, full FOV 4.5Gbps
5K: 5120 x 2160, 23.976/24/25/29.97/30/48p, 14-bit, full FOV
4K DCI: 4096×2160, 23.976/24/25/29.97/30p, 14-bit, full FOV
3.9K: 3944×2088, 47.95/50/59.94, 12-bit, narrow FOV 3.9Gbps
ProRes and ProRes RAW
4K DCI: 4096×2160, 23.976/24/25/29.97/30p, 12-bit, HQ, full FOV 1.27Gbps
2K: 2048×1080, 47.95/50/59.94p, 12-bit, HQ/XQ, narrow FOV 1.2Gbps
H.264
4K DCI: 4096×2160, 24/25/30/48/50/59.94p 100Mbps
H.265
4K DCI: 4096×2160, 24/25/30p 100Mbps
Aspect Ratio 16:9
CinemaDNG: 4.5 Gbit/s RAW
6K: 5760×3240, 23.976/24/25/29.97/30p, 14-bit, full FOV 4.3Gbps
4K Ultra HD: 3840×2160, 23.976/24/25/29.97/30p, 14-bit, full FOV
3.7K: 3712×2088, 47.95/50/59.94, 14-bit, narrow FOV 3.7Gbps
ProRes
4K Ultra HD: 3840×2160, 23.976/24/25/29.97p, 12-bit, HQ/XQ, full FOV 2Gbps
2.7K: 2704×1520, 47.95/50/59.94p, 12-bit, HQ, narrow FOV 800Mbps
FHD: 1920×1080, 47.95/50/59.94p, 12-bit, HQ/XQ, narrow FOV 1Gbps
H.264
4K Ultra HD: 3840×2160, 24/25/30/48/50/59.94p 100Mbps
2.7K: 2720×1530, 24/25/30/48/50/59.94p 100Mbps
FHD: 1920×1080, 24/25/30/48/50/59.94p 100Mbps
HD: 1280×720, 24/25/30/48/50/59.94p 100Mbps
H.265
4K Ultra HD: 3840×2160, 24/25/30p 100Mbps
2.7K: 2720×1530, 24/25/30/48/50/59.94p 100Mbps
FHD: 1920×1080, 24/25/30/48/50/59.94p 100Mbps
HD: 1280×720, 24/25/30/48/50/59.94p 100Mbps
Aspect Ratio 2.44:1
ProRes
5.2K: 5280×2160, 23.976/24/25/29.97/30/50p, 12-bit, HQ, full FOV 1.3Gbps
H.264/H.265
4K Ultra HD: 3840×1572, 30p, full FOV 100Mbps
TEMPERATURE
Operating Temperature Range-4 to 100° F (-20 to 40° C)Storage Temperature Range-4 to 140° F (-20 to 60° C)
Separated Sensor and Lens Stabilizer
Angular Vibration Range±0.005°
Mount Detachable
Controllable Range
Tilt: +40° to -125°; Pan: ±300°; Roll: ±20°
Mechanical Range
Tilt: +50° to -130°; Pan: ±330°; Roll: +90° to -50°
Max Controllable Speed
Tilt: 180°/s; Roll: 180°/s; Pan: 360°/s
CAMERA FEATURES
Exposure Mode
Auto, Manual, Shutter Priority, Aperture Priority
Exposure Compensation
±3.0 (3 stops of light)
Metering Center
Weighted Metering, Spot Metering (12 × 8 area selection)
AE Lock Supported
Custom (2000 K – 10000 K)
Video Caption Supported
(AVC/HEVC)PAL/NTSC
Ultrasonic Dust Removal
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