Welcome

With Warpcam we strive to increase the overall productivity of action shots. 

One of our features is the continuous workflow from design to finished product. 

We pre-vis, and shoot with our Warpcam with the same restrictions as well as advantages. Thus creating no surprises on the shoot day.

Directory

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Warpcam provides differing levels of service

depending on the productions needs.

Click below to browse our offered services.


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What projects has Warpcam been involved with before? 

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Find all necessary camera specifications below.

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Die Hexenprinzessin

Action Sequences 1st & 2nd Unit

Prague

Event Details

Die Hexenprinzessin

Action Sequences 1st & 2nd Unit

Warpcam Action Unit Directed by Ferdi Fischer

Prague

Bad Boys for Life

Action Sequence 2nd Unit

Atlanta

Event Details

Bad Boys for Life

Action Sequence 2nd Unit

2nd Unit Director: Spiro Razatos

Atlanta

21 Bridges

Foot-chase Sequences with Main Actors, 1st & 2nd Unit

Philadelphia

Event Details

21 Bridges

Foot-chase Sequences with Main Actors, 1st & 2nd Unit

Director: Brian Kirk  2nd Unit Director: Spiro Razatos

Philadelphia

Asphalt Gorillas

Warpcam Action Unit Fight Sequences with Main Actors

Berlin

Event Details

Asphalt Gorillas

Warpcam Action Unit Fight Sequences with Main Actors

 Warpcam Action Unit Directed By Ferdi Fischer and Daniel Leavitt 

Berlin

Der Letze Bulle

Warpcam Action Unit Prison Fight Sequence with Main Actors

Frankfurt

Event Details

Der Letze Bulle

Warpcam Action Unit Prison Fight Sequence with Main Actors

 Warpcam Action Unit Directed By Ferdi Fischer and Daniel Leavitt 

Frankfurt

More Events

About warpcam

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Warpcam Team

At Warpcam our team consists of Action specialists highly trained in operation of the Warpcam System.

 This combination allows the Warpcam Team to achieve unique and creative shots, and to put camera in places where it traditionally can not go.  


 

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Warpcam System

A revolutionary new 6k Raw two operator camera system.


The next step in camera evolution with a  stabilized sensor and lens separated from the camera body. Operated and adjusted remotely with no hardware buttons on the camera itself.

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Design

With Warpcam, it was a priority for us to have a light weight and mobile package.

 

The system needed to be able to be operated with one hand, and to be modular with multiple different hard and handheld mounts.

It had to be small so it could fit through tight spaces.


We designed the Warpcam system with all of these things in mind.

As a result Warpcam can go lower, can go higher, can fit through tighter spaces, can be ran with at full sprint, It can be operated out of a helicopter,  a car, a motorcycle, and much more.

The get warpy menu


Videos

Warpcam tech sheet

Package Components

  • Warpcam Body
  • Sensor
  • Lens Kit
  • Lens Filter Kit
  • Monitors
  • Controllers
  • Multiple Mounting Options
  • Wireless Follow Focus


Sensor

Sensor Size (Still): 23.5×15.7 mm 

Sensor Size (Max video recording area): 23.5×12.5 mm Effective Pixels: 24 MP


Storage

512 GB SSD


Operation Modes 

Capture, Record, Playback


Shutter Speed

Electronic Shutter Speed: 1/8000 – 8s

Mechanical Shutter Speed: 1/1000 – 8s (DL-S 16mm F2.8 ND ASPH not supported)


ISO Range 

Video: 100 – 1600 (EI mode on); 100 – 6400 (EI mode off)


Lenses

DL Zero-D 9mm f2.8

DL-S 16mm f2.8 ND

DL 24mm F2.8 LS

DL 35mm F2.8 LS

DL 50mm F2.8 LS


VIDEO FORMATS

SSD: CinemaDNG, ProRes, ProRes RAW, MOV, MP4


Aspect Ratio 17:9

CinemaDNG: 4.5 Gbit/s RAW

6K: 6016×3200, 23.976/24/25/29.97/30p, 14-bit, full FOV  4.5Gbps

5K: 5120 x 2160, 23.976/24/25/29.97/30/48p, 14-bit, full FOV  

4K DCI: 4096×2160, 23.976/24/25/29.97/30p, 14-bit, full FOV

3.9K: 3944×2088, 47.95/50/59.94, 12-bit, narrow FOV  3.9Gbps
ProRes and ProRes RAW

4K DCI: 4096×2160, 23.976/24/25/29.97/30p, 12-bit, HQ, full FOV  1.27Gbps

2K: 2048×1080, 47.95/50/59.94p, 12-bit, HQ/XQ, narrow FOV  1.2Gbps
H.264

4K DCI: 4096×2160, 24/25/30/48/50/59.94p 100Mbps
H.265

4K DCI: 4096×2160, 24/25/30p  100Mbps

 
Aspect Ratio 16:9

CinemaDNG: 4.5 Gbit/s RAW

6K: 5760×3240, 23.976/24/25/29.97/30p, 14-bit, full FOV  4.3Gbps

4K Ultra HD: 3840×2160, 23.976/24/25/29.97/30p, 14-bit, full FOV 

3.7K: 3712×2088, 47.95/50/59.94, 14-bit, narrow FOV  3.7Gbps
ProRes

4K Ultra HD: 3840×2160, 23.976/24/25/29.97p, 12-bit, HQ/XQ, full FOV  2Gbps

2.7K: 2704×1520, 47.95/50/59.94p, 12-bit, HQ, narrow FOV  800Mbps

FHD: 1920×1080, 47.95/50/59.94p, 12-bit, HQ/XQ, narrow FOV  1Gbps
H.264

4K Ultra HD: 3840×2160, 24/25/30/48/50/59.94p  100Mbps

2.7K: 2720×1530, 24/25/30/48/50/59.94p  100Mbps

FHD: 1920×1080, 24/25/30/48/50/59.94p  100Mbps

HD: 1280×720, 24/25/30/48/50/59.94p  100Mbps
H.265

4K Ultra HD: 3840×2160, 24/25/30p  100Mbps

2.7K: 2720×1530, 24/25/30/48/50/59.94p  100Mbps

FHD: 1920×1080, 24/25/30/48/50/59.94p  100Mbps

HD: 1280×720, 24/25/30/48/50/59.94p 100Mbps

Aspect Ratio 2.44:1


ProRes

5.2K: 5280×2160, 23.976/24/25/29.97/30/50p, 12-bit, HQ, full FOV  1.3Gbps

H.264/H.265

4K Ultra HD: 3840×1572, 30p, full FOV  100Mbps

TEMPERATURE

Operating Temperature Range-4 to 100° F (-20 to 40° C)Storage Temperature Range-4 to 140° F (-20 to 60° C)


Separated Sensor and Lens Stabilizer

Angular Vibration Range±0.005°

Mount Detachable


Controllable Range

Tilt: +40° to -125°; Pan: ±300°; Roll: ±20°


Mechanical Range

Tilt: +50° to -130°; Pan: ±330°; Roll: +90° to -50°


Max Controllable Speed

Tilt: 180°/s; Roll: 180°/s; Pan: 360°/s


CAMERA FEATURES

Exposure Mode

Auto, Manual, Shutter Priority, Aperture Priority


Exposure Compensation

±3.0 (3 stops of light)


Metering Center

Weighted Metering, Spot Metering (12 × 8 area selection)


AE Lock Supported

Custom (2000 K – 10000 K)


Video Caption Supported

(AVC/HEVC)PAL/NTSC


Ultrasonic Dust Removal


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CONTACT US

FILMING WITH WARPCAM AVAILABLE WORLDWIDE

BASED IN

| LOS ANGLES | BERLIN | PALMA |